Notes From Detroit: Jan 2016 (pt 1)

Patanjali on the Energy Body:
Monitoring and Modulating the Flow of Prana in Yoga Practice

How can we learn to feel, see and act from the energy body, where the quality of the flow carries so much information? As far a bio-mechanics are concerned, specifically the action of muscles and bones, we want to, as Ken Wilbur would say, transcend and include. Working from the energy level refines the bio-mechanics because it dives into the cellular and organ support underlying the muscles and bones. We want to feel organic, in movement and stillness, not mechanical. There are three principles we can draw upon from yoga to help us find our way here.

Step 1: II – 46: sthira sukham asanam
Patanjali gives us a huge clue, one that is the foundation of all life forms, including the human. How does life balance stability with mobility? Stability without mobility is rigidity or stagnation. Mobility without stability is chaos, and although some chaotic states can be a very powerful way of shaking up stagnation, a return to some level of order is essential for life processes. When stability and mobility work as a single intelligence we have creation and the emergence and unfolding of the Universe.

What does it feel like when a body is both stable and mobile? What does it look like? Aren’t these two contradictory? As students and teachers of a somatic discipline like hatha yoga, these questions are key. We all know this intuitively, as this intelligence is already embedded in the cells, organs and blood flow, but we often forget, or get distracted from feeling directly by various thoughts, ideas and beliefs. We must learn to trust our instincts and our inner capacity to know. We must expand our capacity to perceive energy flow in the body/mind and begin to discriminate between healthy and unhealthy actions. When our organs of perception, and our intelligence are linked with the organs of action in a yoga posture or exploration, that is known as samyama, or samadhi in action.

If we watch highly skilled athletes , we can learn to see ‘sthira sukham‘ in action. This trains the eyes as well as our mirror neurons. Athletes have to be able to move, sometimes suddenly, and often in complex ways. They have to be able to change direction fluidly while tracking the world around them, and still maintain balance and control of the body. Their actions have to be integral to the changing environment that surrounds them, as well as the changing internal environment of the body. In endeavors like surfing or skiing, the body is relaxed and responsive to the flow of the wave or slope. In others, you are responding the the movement of a ball and opponents. In all of these, transitions, where one type of stability shifts to another,  determine the quality of the flow. If you lack stability, you lose you balance. If you lack mobility you get stuck. Your transitions are awkward or non-existent.

The term ‘stability’ here refers to the capacity of the body/mind to retain it’s integrity while undergoing constant change. Integrity, the state of being integral, means operating as a single whole individual, even while arms and legs and torso may be required to move differently. In yoga it is the buddhi, the ‘organ’ of intelligence. (The buddhi is an ‘energy body organ’, not a physical body organ, although neurons are certainly involved.)

How does this relate to hatha yoga ?

Step 2:  We add another clue from Patanjali, the gunas, discussed in the Sadhana Pada . These are the three qualities of energy know as tamas, rajas and sattva. Tamas is the tendency to remain the same, or Isaac Newton’s inertia of rest. Rajas is the tendency to keep moving, Newton’s inertia of motion, and sattva is the state of perfect balance,  where movement and stability support each other, rather than conflict with each other. This the fundamental balance of the universe at all levels. When tamas is not in balance, stability becomes stagnation or dullness. When rajas is out of balance, mobility becomes instability or chaos. But when these are in balance, there is harmony. This is our goal in yoga. To facilitate harmony in mind and body, spirit and soul, movement and stillness.

The automobile is a useful metaphor for this. Tamas / stability think brake pedal. Rajas / movement think gas pedal. If we need to stop, we smoothly (sattva) release the gas and add the brake. If we need to accelerate, we smoothly release the brake and add gas. It is a dance between the two possibilities. The Taoists call this the balance of yin and yang.

In time, we begin to recognize the difference between an organic state of stability (desirable!) and rigidity (the brake is locked on and won’t let go), or stagnation (the engine is turned off and won’t respond): (undesirable!!) We begin to recognize the smooth use of both pedals, speeding up or backing off to respond the the environment (desirable!) versus the sudden starts and stops that create a jerky feeling. This is true in both movement and stillness.

Patanjali’s very first two practices, given in  I-12,  abhyasa vairagyabhyam tan nirodhah, teaches about monitoring and modulating how we utilize our innate energies at all levels of our existence. Abhyasa is the conscious and deliberate movement of energy into actions that are desirable for health and awakening. It is continuously stabilizing our integrity as we grow and learn, enabling us to move through the next levels of the awakening without getting lost. Vairagyam involves consciously and deliberately removing or withdrawing energy from habits and patterns that are either no longer effective, or downright harmful. These practices work together as a single process of the intelligence, the buddhi. This true in all aspects of life.

Step 3: Now, to bring it into a fully embodied experience, we discover that what may appear to be opposite actions can actually be felt and experienced as a single ongoing get-attachmentflow. Patanjali says in II- 48, tato dvandvaanabhi-ghaatah; then the pairs of opposites resolve into wholeness. In asana, we discover this at the fulcrum or balance point between two movements or structures. Here in ardha chandrasana, the left of standing leg creates a center line of support from which the back leg extending through the foot, exactly balances the torso extending in the opposite direction. Also her left arm balances the action of the right arm, the tail balances the head etc. To come out of the pose, a major transition, she will begin by grounding a bit more of her energy through her left leg and foot (abhyasa), begin bending her knee just a bit to extend the energy forward and then from the top of the fulcrum in the pelvis balance by reaching back and down with the leg and foot while the torso moves forward and up. She can transition to trikonasana or, even more fun, a one leg tadasana with the back leg bending into the chest.

IMG_8006 In this variation of supported bridge pose, the block provides a fulcrum to balance the weight and action of the legs with that of the torso and arms. At a more subtle level, each finger and toe can change the energy field, and then we can add kidneys, liver, bladder, heart and more as organizing centers of perception and action. Where in the organic field of the body, in the living matrix of fluid and connective tissue, is there freedom, vibrancy, aliveness, harmony, balance, bliss? Where is there dullness, unconsciousness, thickness, denseness? Where is there aggression, overacting, overly gripping the muscles? Can I move the energies around, through actions of feet, legs, kidneys, liver, arms, fingers, eyes, ears, tongue, skin, integrated through intelligence, to build more harmony (sattva) and less dullness, less aggression.

IMG_7948Sliding and Gliding: Option 1
In standing poses, we need to feel that we are in balance, moving in, moving out, or sustaining the pose. As in ardha chandrasana above, there is usually one leg that carries more weight and more grounding energy than the other. They may have to shift. IMG_7949IMG_7950Here is a simple way to play with this. Start on one leg with the other knee bent into the chest. Sitting into the standing leg to ground more completely, begin the extend the bent leg sideways, downward and slightly backward, with a slight internal rotation to keep the DFL (Deep Front Line) engaged. When the leg lands, balance the weight evenly between the two feet. From here you can either shift the weight back to the first leg, or shift to the landing leg and bring the original standing leg to the chest. Reverse.

Option 2:  Starting from the same position, extend the leg but do not land, and bring the leg right back to position 1. The weight stays grounded through the same leg all the time. Feel elastic as the legs move.
Option 3: Same as option 2, only alternate legs, so the return leg doesn’t come back to the chest, but becomes the new grounding leg. The legs are probably quite different in their capacities to move and support you.

IMG_0434 (1)Refining the Articulation of the Arms: Here we play with the dvandvas, the opposite actions to further differentiate the various bones of the hands, arms and shoulders. This will help refine both action and perception throughout the area. There are many steps, but the basic action remains the same all the way through.

To start, find the tips of the fingers, the bones furthest away from the body, as they press the wall. Keep them pressing the wall as all the other bones including torso release away from the wall. From this double action, feel the first set of joints joints opening as perception, as space. Next, add the next set of phalanges. From the second joints, extend into the wall, and release all other bones away from the wall. Feel the spaces opening. 3: Third set of phalanges now join all phalanges to press the wall, all others away. 4. Add metacarpals. 5. Add first row of carpals. 6. Add second row of carpals. 7. Add radius, but not ulna! Radius and all other bones of hand to wall, ulna and all others away. 8. Add ulna, open elbow. 9. Add humerus, open shoulder joint. 10. Add scapula to open AC joint. 11. Add collar bone to open sterno-clavicular joint. 12 Add sternum to awaken ribs. 13. Add ribs to find lungs and heart. This whole process will take 10 minutes or more, especially in the beginning, when it is all new. And that is just one side! After some practice, you will be able to open all the gates more quickly.

Before you do you second side, take time to feel how different the two sides are. Notice quality as well as quantity of sensation/perception and insight. Again, before you do your second side, try dog pose and follow the connections throughout the body.

In part 2, we will look at energy from the big or cosmic perspective by exploring balance from the seven sacred directions, North, South, East and West, Above, Below and the Center.

The Role of the Soul

As our unfolding continues on through the mystery, clues keep arriving to help orient to wholeness and facilitate the emergence of the next levels of consciousness necessary to help navigate our historical moment. Through a very typical Ojai convergence, I have just come across the work of Bill Plotkin, author of ‘Soul Craft” , “Nature and the Soul”, and his most recent book, “Wild Mind”.  As a fellow soul traveler with strong links to Thomas Berry and Brian Swimme, Bill’s unique perspective strongly resonates with me and I hope you can find great inspiration from his vision as well

As a psychotherapist, Bill has a deep curiosity about mind, conscious, sub-conscious and unconscious, and has a great vocabulary to help map and flesh out the psychic and hopimedicinewheelpsychological terrain we are all exploring. He is familiar with Internal Family Systems and Voice Dialogue, and has developed his own model and language for the mature and immature parts, based in part on the Native American ‘medicine wheel’ and the four cardinal directions, north, east, south and west, as seen here. Bill also adds in Greek mythology, Jungian psychology, archetypal imagery, and more, but also allows you to find metaphors and language that speak to your own unique self.

From the four cardinal directions, which we can imagine as a horizontal plane, we add three more directions: above, or towards the heavens and celestial realms, which we call Unknown‘Spirit’; below, down into the earth and the heart of mother nature which we call ‘Soul’; and finally into the center of all, which I call the ‘Ego’. We all begin at the center and maturing brings an integration of all seven directions, which I call the ‘Self’. Integration does not imply that every aspect and possibility has matured and completed its unfolding. Just that all seven directions are included in our basic ‘self sense’, and some maturity has begun to deepen the way in which the seven nurture and support each other in their emergence and deepening maturity. Wholeness is our natural state, but we forget, and the ego begins to act from the parts and sub-personalities that are cut off from the others. In “Wild Mind”, Bill goes into great depth about the seven directions and I highly recommend this to you.

***(an important note on language; words are, as the Buddhists say, are fingers pointing at something, but definitely not the object or experience they are pointing to. Spirit and Soul are words pointing to the same experience as the Sanskrit terms Purusha (timelessness, unboundedness, stillness: the masculine expression of divinity) and Prakriti (creation, mother Nature, impermanence, the feminine expression of Divinity. Bill and I agree in this, whereas Adyashanti reverses the words, using Spirit for the feminine and Soul for the masculine. But then Bill Plotkin uses Ego and Self opposite to the way I do. He uses the expression 3-D Ego to describe what I call the Self. He has a more Western based perspective, myself more Eastern. But the principles are exactly the same.)

Bill’s other passion is wilderness and uses wilderness expeditions for vision quests, soul IMG_0405searching, and other means to break out of the shell of a ‘civilized’ ego. Our self sense has become so limited, stunted and deformed by modern society that we have developed a major cultural psycho-pathology that is destroying the planet. Wilderness experience, going one on one, alone with nature, with some guidance, allows a major shift that can open repressed skills and means of knowing that are essential to our growth and survival, as individuals, and as a species.

As somanauts, our encounter with nature can also be an inner voyage to the cells, organs, meridians, nadis, energy channels and fields that comprise our bio-spiritually embodied selves. This is level one soul work. The role of the soul is to help us fully embody our divinity, inwardly and outwardly. In yoga, we explore the seven directions spatially, through movement, imagination and perception, in postures, to shift consciousness from the everyday routine to a communion state with the soul. We become one with earth, water, fire and air, we feel their gifts, their presence, their power, so when we are out in nature, we already are deeply connected through the elements. The deeper dimensions of the soul can then begin to reveal themselves as we meet the birds, bees, flowers and trees, oceans, waves, winds and rain as dimensions of our own deep soul. We no longer observe nature from a distance, but dissolve into the mystery of the unfolding moment. The soul is not about control, but surrender into Creation at the most primary level.

Grad student homework: (This may take a while, or it may come quickly!)

Find your own chakra totem, one animal/plant being for each chakra, one through seven. Find the gift/feel/flow of each of these and how they relate to the other six. You may find only one to begin, but this can be a very rich exploration in and of itself. This is a soul meditation. These are some possible starting points. You may find others as well. Good luck!

Who is my root support?
Who awakens my feeling of flow?
Who empowers me?Who offers my heart roots and wings?
Who liberates my voice?
Who helps me see all?
Who is my primary celestial guide?

Take what arises onto the mat, and out into Nature and the world around you. Be open to surprise.

Re-Birthing Yourself

Every morning (unless you are a night-owl), you awaken to a new day and a new set of possibilities to unfold. As we look more deeply into the nature of reality, we begin to see that not just every day, but every breath offers the same opportunity to give birth to something new. In our work with pranayama over the previous few blog posts, we have discovered that breathing, when relaxed, arises from, and dissolves back into Stillness. Thus breathing is a major factor in our ability to ‘realize’ that the limitless mystery that is Stillness (or Silence, Buddha Nature, Purusha, Atman, etc) is the source of all that arises moment to moment. We are developing a proficiency in staying grounded in Stillness. Keep it going!

But what are the factors that shape what arises? How can we overcome habituated responses to life that drain our energy? How can our own unique creativity participate in the moment to moment unfolding? Lets look at some of the layers available to our investigation.

  1. The Cosmic Fields: 13.7 billion or so years ago, the manifest universe emerged into being guided by what we may call the laws of physics. Energy, particles, atoms, stars and galaxies burst into being and variations of these continue to be self emerging and self sustaining. The sun, moon, planets and stars continually move around, but we can guarantee they will be here moment to moment.
  2. Our Geological Fields: Mother Earth emerged into being some 4.5 billion or so years ago and continues to re-birth herself moment to moment through her movements, weather patterns, geological upheavals and water flow. If you have chosen to be here, Mother Earth will appear moment to moment in your reality.
  3. Our Biosphere: The 8.7 million living species currently on the planet re-birth themselves moment to moment. Individual members die off and new ones emerge, species die off and new ones emerge, in an extraordinary dance. Where ever you go, the biosphere will be with you moment to moment, including you own living body which includes 30 trillion cells that have your DNA, and 300 trillion more bacterial cells which have their own DNA. Moment to moment there is a lot going on!
  4. The Noosphere: A term coined by Teilhard de Chardin, noospere refers to the energetic fields generated by human thought and carried through culture in various forms. Science and religion are just two of the more obvious aspects, but educational, judicial, political, and artistic and many other social systems are also included. Every moment we awaken to the collective field the humans give birth to through their thought driven behavior.
  5. Our own inner world: You wake up and your ideas, beliefs, memories, habits and patterns of emotional energy, likes, dislikes, plans and schemes are all there re-emerging, or lying latent for the right input to activate them. Habits are a two edged sword, as they can liberate the intelligence to look into more complex processes, but they can also keep you unconscious. This is the level where we can choose to give birth to something new, if we are awake, paying attention, and resting in the Stillness. The Upanishads offer some insight on some of the structures and possibilities available to us to help in our transformation.

A yogi’s model of reality, from the Taittiriya Upanishad:

We are are composed of 3 bodies, further divided into five nested sheaths or layers known as koshas. These extend inward from gross to subtle. All emerge from the Luminous Emptiness of Stillness. What is false dissolves into emptiness, (shunyata). what is real, the ground of all that arises, remains as light or luminosity.

The Gross Body (Sthula Sharira) has one sheath:
the Anamaya kosha: the body of food. We have weight and mass, as does all the matter in the universe. We study anatomy to make sense of how our structures interact. The known universe has a gross body we all share. Realizing that the whole universe is my body is an awakening that can arise in any and every moment. Feel this! Nurture this!

The Subtle Body (Sukshma Sharira) has three sheaths:
Pranamaya Kosha: the body of energy: we are also energetic beings, bubbling over with electrical, thermal and kinetic energies that are gifts from the dynamic energies of sun, moon, stars and galaxies. We embody this individually in our physiology, or the 5 pranas. Live well, stay healthy, give birth to health moment to moment.
Manomaya Kosha: the body of mental activity, including perception, memory and learned behavior patterns, and our personality structures. The universe is also imbued with perception and memory. Healthy use of this realm greatly eases our lives and deepens our capacity to dive into the unseen psychic/shamanic realms. Unhealthy use locks us into inflexible beliefs and patterns of behavior that perpetuate suffering through the generations through the Attachment process and other social and cultural fields. Healing comes from awakening the next level and integrating:
Vijnanamaya Kosha: the body of intelligence, also known as Buddhi. We can discern and discriminate. We can imagine. We can choose to change our actions, if we stay present, patient and alert. These conscious changes come from Stillness. But habits can carry on unconsciously and imagination can lock onto pathology. The intelligence is greatly nurtured when in can be integrated with the next level:

The Causal Body or Karana Sharira,  has one sheath, the Anandamaya Kosha,  the body of ecstasy or bliss. Here is Divine Revelation as the intelligence finally dissolves into wholeness and every atom and molecule, every form and pattern sings and dances in a Cosmic symphony that is ecstatic. We miss this because we are distracted by the confusion and delusion generated in the other layers when they are less than conscious.

As the anandamaya kosha awakens, the cosmic fields of the anamaya and pranamaya koshas are felt by the enhanced perception of the manomaya kosha. The vijnanamaya kosha can then recognize confused ideas, beliefs and patterns as seed forms in the manomaya kosha and, through imagination creativity and surrender into the cosmic fields, transform their energies into further spiritual growth and participation in the cosmic unfolding. All five levels function together as they arise and dissolve moment to moment.

The Practice: Sama Vrtti Pranyama

Remember, pranayama can be done as a kriya or cleansing, healing physiology, calming nerves, transforming the soft tissue structures of diaphragm, inter-costals, organs and spinal canal. Or, we can use it as meditation, to deepen our ability to stay in luminous emptiness. Sama Vritti is a meditative pranayama, as we are not specifically looking to expand the chest or stretch the diaphragm, having done that previously in asana and other pranayamas. We are looking to bring a deep sense of balance which can reveal the mystery of luminous emptiness.

In a comfortable sitting pose, or a supported reclining pose, spend several minutes settling in and observing the flow of the breath. Notice that the inhalation and exhalation probably do not have the same qualities of length, quantity and ease. They might, but… Be curious and attentive.

In sama vritti part 1, we will look to balance out the length of time of the inhalation and exhalation. You can count, like in music, or just feel it through. If you inhale to a four count, allow the exhalation to also have a four count. Back off on the easier phase, rather than trying to push to more challenged one. If your inhalations are generally easier and longer than the exhalation, let the inhalation be shorter to help balance. Same if the exhalation is easier. Let the pauses be soft and natural. You can spend years just on this level.

Part 2. We add a pause after inhalation, antara kumbhaka. In ‘Light on Pranayama” Iyengar suggests you start with a shorter retention, so the ratio of inbreath – retention – outbreath would be 1 – 1/4 – 1. With more experience (and much more space and elasticity in the chest), you can move to 1 – 1/2 – 1, 1 – 3/4 – 1, and finally 1 – 1 – 1.

Iyengar also suggests, and I agree wholeheartedly, that if you are not experienced in the retentions, only add them to sama vrtti part 1 every 4th or 5th breath. This is true for all levels of pranayama practice. When adding something new, allow several normal breaths to come between each pranayama breath. That will minimize strain and allow you to see how the relaxtion can deepen when this is natural and not forced. There is always some level of awkwardness when learning something new, but your intelligence can monitor the overall feeling and keep you on track.

Part 4: add the retention after exhalation. Start with smaller pauses until a relaxed ease is felt in the transition. Gradually work toward a 1 – 1 – 1 – 1 rhythm. The inhalations and exhalations will be naturally shorter to accommodate the longer retentions. You will begin to feel the that the antara kumbhaka is just continuation of the in-breath, without the gross breath moving, and the bahya kumbhaka is a continuation of the exhalation, with the further letting go internal.

Part 5: after any and all practice, savasana. Digest and rest in the luminous emptiness, drashtuh svarupe, avastahnam. Be born again, with your original face, radiant and free.