Anatomy and Kinesiology: An Introduction

Lesson 9: An Introduction to Anatomy and Kinesiology

Somatic based spiritual practice requires an understanding of soma, the embodied expression of spirit. We will start with the obvious for a yoga student, the muscles/bones/connective tissue structures we feel in our asana practice. Later in the course we will bring in the organs, physiological energy flows and the cellular levels of consciousness. In lessons 4 through 6 we explored the three basic movements of the pelvis in relationship to the thigh bones: mammalian flexion and extension, like the cheetah and other mammals; lateral flexion and extension or ‘fish body’ images-3like the carp or lizards; and rotation, the fundamental power move of the human. Unknown

Now we will examine the basic action of the feet, ankles and knees that integrate with the hip joints to allow coordinated movements and to relieve unnecessary stress on spine. Tom Myers’ “Anatomy Trains” will be our our integration Unknownguide foucusing specifically on the deep front line. Originally written for body workers, Anatomy Trains allows all somatic explorers to have maps that outline pathways of integrated action based on the connective tissue system. As we feel these connections and begin to use them, our practice will become more and more effortless. Patanjali describes this progression of asana in sutra Ii-47;  ‘prayatna shaithilyaananta samaapattibhyam’.  With the relaxation of effort and absorption into the deep support of the cosmos (asana is mastered).  But before jump into the modern view, yoga students should also have a sense of the Vedic view of anatomy. What is meant by ‘body’ from a yogic perspective?

In the Vedic tradition, human ‘anatomy’ consists of three nested bodies:

1. The gross body (Sanskrit: sthula sharira) is the body of mass and weight. It is tangible, and includes all structures from muscles and bones to cells, water and more. This is where most beginners land when they come into their body. Our key word here is ‘stability’, sthira in Sanskrit. (sthira sukham asanam, PYS II-46)
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2. The subtle or energy body (Sanskrit: sukshma sharira) includes the energies of the body such as heat, electricity, motility and motion, including the physiological and psychological processes of aliveness. It can be directly felt, but is not ‘tangible’ like the gross body. Neither is it separate from the gross body, as matter, as Mr. Einstein points out, is just a very dense form of energy. The key words here are flow and fluidity, or sukha, sukham in Sanskrit and new students are introduced to this level through feeling the breathing.

3. The causal body (Sanskrit: karana sharira), seed of all seeds: There is no perfect English translation but rainbow light body or the body of limitlessness can be useful. Another way to consider this ‘body’ is as the organizing intelligence of the cosmos, manifesting as fields: gravity, electromagnetic, strong and weak nuclear. The key words here are space, spaciousness and light.

For a yogi, kinesiology, the study of movement, is more important than anatomy, because it explores relationships and energy flow. Anatomy is usually studied as collection of separate pieces and, although this can be helpful for memorizing, it can create a powerful confusion in the mind. There are no separate parts. Life, the body, and the cosmos are an unbroken whole, with a multiplicity of possibilities continuously emerging, transforming and dissolving. When we feel movement, we can find the wholeness.

The main principle of kinesiology describes what is required for elegant, effortless movement and is known as joint congruence.  Any joint, whether still or in motion, is most stable and safe when the center of one of the bones remains exactly centered on the opposite bone. This is where alignment in yoga meets kinesiology. If my hip joint is aligned properly, the center of the femur head will remain exactly centered on the mid-point of the acetabulum of the pelvis throughout any healthy movement. This implies that all the muscles and muscle groups in the region are in balance throughout movement. An unhealthy movement will disturb the alignment by contracting one or more muscles asymmetrically and pulling the femur slightly off center. This will be felt as having a ‘tight hip’. As we build perception and begin to feel our way through the sensations, we can start to use simple movements to re-align the hip joints. Here the energy body and gross body work as one and we will start by moving in and out of the basic yoga poses. See Notes from St. John for details on working in the poses.

For our anatomical inquiry into the gross body structures, we will approach the muscles and bones from a holistic perspective, using as our primary reference “Anatomy Trains” by Tom Myers. Anatomy tends to be taught by learning/memorizing the body as a series of parts: muscles, bones, organs, nerves, etc. This approach totally misrepresents the reality of the human body which is a living, dynamic, integrated presence. We will use Tom’s work as a map to begin to see and feel the fascial continuities that link and integrate the layers and levels of the body in action and perception. Later on in the course, we will take a deeper look at four levels or layers of fascia: the pannicular or superficial fascia; the axial fascia with anterior and posterior compartments; the meningeal fascia and the visceral fascia.

The key Anatomy Train line for yogis is the ‘deep front line’, orimgres-2 DFL, which allows us to connect the myofascia of the muscles with the visceral fascia of the gut body, as it includes the diaphragm and pericardium. This line integrates the core of the body from head to feet and is the root of tadasana, our primary standing pose.

1. Find the DFL origins in your feet. The heel bone is bypassed, so the gastroc/soleus muscles, which become the achilles tendon where it attaches to the heel, is not part of the action. Overusing these outer muscles is a habit that is difficult for beginner to overcome. Learn to be ‘on your toes’, which actually means to carry your weight on the tarsals and metatarsals with the heels very light. This allows instant movement in any direction and is the foundation for all skillful movements that begin with the legs. Watch a cat or dog as they move and notice their heels and wrists never touch the ground.

2. Feel the inner thighs awakening. We overwork the quads and hamstrings, neither of which are part of the DFL. The adductors can be taught to be engaged in trikonasana, parsvakonasana and ardha chandrasana. They are the ‘mediators of the legs, the muscles in the middle that bring a balanced energy flow. Find this. Repeat. Again.

3. The iliopsoas is a major player in the DFL’s healthy functioning, but these muscles tend to be overly contracted and isolated from the legs. Most lower back issues stem from this dissociation. By learning to slowly move in and out of the standing poses such as uttanasana and trikonasana, without collapsing the upper torso, we can begin to reconnect the psoas muscles with the rest of the DFL in the legs. Ida Rolf, pioneer somatic innovator described the psoas as linking walking and breathing, as the diaphragm is the next section of the DFL to be integrated. Moving in and out rather than holding brings the breath more clearly into focus. Most beginners ‘hold’ their breath if they are ‘holding’ a yoga pose. This is an unconscious habit that needs to be transformed asap.

4 Diaphragm: He we find a huge muscle dividing abdomen from chest cavity, attaching to ribs, spine, heart. It has opening for the blood vessels and esophagus, but is pretty strong and relatvely unconscious. Our work in exploring the breath will help differentiate ribs from diaphragm and learn to recognize the pressure cavities that play a major role in the shape they take on. Most important is to feel an upward lift to the lower dome of the diaphragm coming up from the feet. The diaphragm should ride on the aliveness of the feet through the integration of the DFL.

Now Into Skull and Upper Limbs: As the diaphragm receives support from below, the intercostals can awaken and support the ribs from the inside. this then relieves pressure on the scalenes from trying to hold up the front ribs. The shoulders can also relax and the arm connections through the blood vessel highways can now be felt. Hands can connect directly to the feet, head to the tail.

From the awakening and refining of the DFL, we can see the role of some of the other Anatomy Train Lines. The Superficial Back Line, or SBL, and the Superficial Front Line, or SFL, work as a pair when integrated with the DFL. In a forward bend such as uttanasana, the SBL lengthens if the DFL maintains its core support and low. In a backbend, the SFL lengthens, again if the DFL is supporting. Notice the SFL breaks at the pelvis. The quads need to lengthen for everyone. They chronically over work. The upper SFL is trickier as the abdominals are often weak and the inner muscles of the chest wall to tight. There needs to be two differetn action for most beginning students to fully open the SFL.

The lateral lines, right and left, are opened in the lateral poses like trikonasan, parsvakonasana and ardha chandrasana, again with support form the DFL.

The spiral lines can be explored in standing twists, using the support of a wall for extra clarity.

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The Ten Oxherding Pictures

A Holiday Gift from the Buddhist World to all of us.

The ten Oxherding Pictures from Zen Buddhism represent the stages and path to awakening, integration and enlightenment, with the Ox representing our True Nature and the Oxherder each of us, the embodied being. It is important to note that the stages are not linear but spiralic and multi-dimensional, as we usually can get glimpses of more advanced levels before we have truly completed and integrated the any or all of the previous ones.

Also, we may often be working with several stages at the same time. More subtle awakenings in one level may trigger unconscious and unresolved traumas stored in the earlier levels that then need to be revisited, transformed and integrated. Then, the energy held in trauma is resolved and free to use for deeper growth.

There are many variations on the ten pictures representing the stages, and these are usually accompanied by poetic verses and/or commentary describing the journey. The paintings seen below are traditionally attributed to 天章周文 Tenshō Shūbun (1414-1463), of the Muromachi period in the late fifteenth century and are found at the Shōkokuji temple in Kyoto, Japan.

These stages can be seen as three sets of three transformations, with the final stage standing alone. The first three are the beginners journey, the second three those of the intermediate student, and the final three the most subtle and refined. The tenth transcends all and resolves as the awakened Buddha in the world helping others. Looking more deeply and ironically, we find that ultimately it is the Ox who is training and leading the Oxherder

1: Seeking the Ox
We know something is missing in our lives, but don’t know what it might be, or where to look. Our souls ache, our spirit feels fragile. The spiritual journey begins, but our minds are full of confusion and delusion. Our search is random and we cannot find the Ox anywhere. This is Dante at the beginning of The Divine Comedy.

2: Seeing Tracks of the Ox
Through study and guidance we begin to get glimpses. Maybe we discover yoga or meditation, or find spiritual teachers or writings that inspire us. But although we see the tracks, the Ox is still unseen, unknown. The tracks give us some confidence and we continue seeking, driven by the awakening cosmic impulse to discover/uncover the fullness and truth of our Being. The Ox is calling us.

3: First Glimpsing the Ox
There is the Ox. Wow! So magnificent! How did we ever not see! But the Ox remains elusive, disappearing into the forest. How could that be? Our minds are still confused, our seeking still undisciplined. The Ox teases us. She is everywhere and then nowhere to be found. Our mental habits and beliefs still dominate in spite of the revelation and we struggle to find ground. We are still beginners on the journey.

4: Catching the Ox
We finally catch the ox and grasp the rope to hold her, but she is wild and free, used to cavorting in the fields. We must hold the rope firmly and steadily. The rope of course is our evolving meditation practice and this is where it gets more serious. We are no longer beginners. We are in the realm of un-abiding awakening and must be ‘all in’ with our practice to stabilize the ground. Habits and conditioning have many tentacles extending into the unconscious, so our discipline must become stronger. The Ox keeps us on our toes.

5: Taming the Ox
As our practice becomes stronger, we can hold the rope more loosely as the Ox is relaxing somewhat. It is actually the mind that is relaxing as we begin to realize that the Ox is always steady and it is our minds that are wild and untamed. By relaxing our efforts, our practices can now include resting in the infinite and we become more comfortable in stillness and mystery. Habits still arise as the unconscious has many layers and levels of confusion and trauma, but we recognize the reality that our thoughts arise and fall from the depths of silence and that our delusion is self created.

6: Riding the Ox Back Home
The seeking and struggle come to an end and we can let go of the rope as Ox and herder are one, moving effortlessly together though the world. Buddha Nature is awake and free and we feel spontaneous joy and happiness. The Oxherder plays his flute for the birds and children of the village. This joy and delight can be a surprise as the practice has seemed quite serious at times. Unseen unconscious traumas may still exist so vigilance is still required.

7: Ox Forgotten, Self Alone
The Ox is now gone and the Oxherder sits at home alone. This is ‘Self as ‘I am’ without the need to ‘be something. This is Kaivalya of the Yoga Sutras, Purusha distinct from Prakriti. Up until now, there has remained a subtle sense of duality, of practice and life, of spiritual and not spiritual. This now dissolves. There is no longer ‘something to do’. Everything is meditation and nothing is special. Things are ‘just as they are’.

8: Ox and Self Both Forgotten
Total Emptiness. No concepts, ideas or beliefs, no sense of separateness. Even the “I am” is gone. All gone. Not even the scent of ‘holiness’ or special-ness remains. Gate, Gate, Paragate, Parasamgate.

9: Return to the Source
From the realization of Emptiness emerges the realization that the amazing flow of life always continues on in its own perfection. Seasons come and go. Cherry trees bloom in the spring. Birds sing and the rivers flow. Stars are born and others explode into cosmic dust. Emptiness is Fullness, Fullness is Emptiness. Bodhi svaha!

10: Returning to the Marketplace with Helping Hands
The enlightened being joyfully joins the world to aid all beings on their journey. Freedom, wisdom and compassion are the roots of action. Enlightenment is not passive but celebratory and engaged.

Here are some other perspectives:
From Tricycle Magazine
https://terebess.hu/english/Kuoan1.html
https://terebess.hu/english/oxherd0.html

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